This is from Scene Two of Act Four of the Chinese popular drama Romance of the Western Chamber (西厢记 Xixiang Ji). Miss Cui Yingying 崔莺莺 and Zhang Junrui (张君瑞, also called Scholar Zhang 张生) were deeply in love. Yingying’s maid, …
Continue reading “Hongniang in the Dock”
This is Scene three of Act Four of The Romance of the Western Chamber (Xixiang Ji 西厢记), a famous Chinese drama written by playwright Wang Shifu 王实甫 (1250–1336) in Yuan dynasty. Zhang Gong 张珙 (styled Junrui 君瑞, also known as …
Continue reading “Farewell feast at the pavilion”
This is Scene Four of Act Four of The Romance of the Western Chamber (Xixiang Ji 西厢记), a famous Chinese drama written by playwright Wang Shifu 王实甫 (1250–1336) in Yuan dynasty. After parting with his lover Cui Yingying 崔莺莺 in …
Continue reading “Scholar Zhang’s startled dream at Caoqiao Inn”
The Chinese classic drama Romance of the Western Chamber (西厢记) depicts a romantic story of a young couple in the Tang dynasty. The name of the play has also been translated into The Story of the Western Wing, The West …
Continue reading “Romance of the Western Chamber”
This is from Scene Three of Act Three of the Chinese classic drama Romance of the Western Chamber (西厢记 Xixiang Ji), written by playwright Wang Shifu 王实甫 (1250–1336) in Yuan dynasty. The episode is commonly called Repudiation of the Billet-Doux …
Continue reading “Repudiation of the Billet-Doux”
This is from Scene Three of Act One of the Chinese classic popular drama Romance of the Western Chamber (西厢记 Xixiang Ji), written by the Yuan playwright Wang Shifu (1250–1336). Zhang Junrui (张君瑞, also called Scholar Zhang 张生) was immediately …
Continue reading “Scholar Zhang and Cui Yingying exchanging verses in the garden”
Water Margin, also known as Outlaws of the Marsh or All Men Are Brothers, is a classic Chinese novel written during the Ming Dynasty. It is considered one of the Four Great Classical Novels of Chinese literature. The authorship of …
Continue reading “Water Margin”
This story scene originates from one of the four famous romantic plays in Yuan dynasty, Pei Shaojun on horseback meeting Li Qianjin over the garden wall (also known as On Horseback and over the Garden Wall) 裴少俊墙头马上, which was written …
Continue reading “Pei Shaojun on horseback meeting Li Qianjin over the garden wall”
This scene is from one of the most famous Chinese dramatic works, Romance of the Western Chamber 西厢记, which was written by the Yuan playwright Wang Shifu (王实甫 1260–1336). The play tells the story of a secret love affair between …
Continue reading “Scholar Zhang and Cui Yingying’s encounter in the Salvation Monastery”
The Chinese Valentine’s Day, Qixi Festival (七夕节), is just around the corner. It falls on the seventh day of the seventh month of the traditional Chinese year. Dr Yibin Ni has conducted comprehensive research on this topic and has written an article in Chinese 《牛郎织女银河隔 七夕相会胜无数》 with reference to numerous ancient artifacts that depict such romantic story scene.
This scene was from a popular play ‘The Story of the White Hare’ (Bai Tu Ji 白兔记) and was much admired during the Ming dynasty. Liu Zhiyuan 刘知远, the hero of the play set during the turbulent Five Dynasties (907–960), …
Continue reading “Story of the White Hare”
Dong Zhuo (董卓 d. 192), a tyrannic warlord rising to power at the end of the Han dynasty, caused great concern among courtiers and officials. Wang Yun (王允), the Minister Over the Masses (司徒 Situ), was entrusted to figure out …
Continue reading “The Couple’s Tryst in the Phoenix Pavilion Making Dong Zhuo Fly into a Fury”
‘Imperial Consort Lady Yang Getting Drunk’ has been a popular Chinese story plot since the seventeenth century. However, many renowned museums are still not able to identify this story scene on the porcelains in their collection. Dr Yibin Ni will illustrate with a few examples here.
The play Polishing the Dust-covered Mirror (磨尘鉴 Mo Chen Jian) was compiled in 1619 by an obscure playwright Niu Ge (钮格), according to some twentieth-century researchers, including the eminent scholar of the field Zheng Zhenduo (郑振铎 1898–1958). The play portrays …
Continue reading “Imperial Consort Lady Yang Getting Drunk”
‘Yang Xiang trying to throttle the tiger to rescue her father’ is a well-known story passed down from generation to generation in ancient China. However, Yang Xiang has sometimes been portrayed as a male figure on traditional Chinese artworks. Let’s invite Dr Yibin Ni to explain the reasons behind this puzzling phenomenon.
Early in Jin dynasty (晋 265–420), Yang Feng 杨丰 and his teenage daughter, Yang Xiang 杨香, were harvesting the millet crops in the fields when he was attacked by a tiger. Though only fourteen-years-old and without any weapon in her …
Continue reading “Yang Xiang Trying to Throttle the Tiger to Rescue Her Father”
Legend of the Jade Hairpin (Yu Zan Ji 玉簪记) is a Ming-dynasty ‘marvel play’ which was the major drama genre of the time. The play, consisting of thirty-three scenes, was written by Gao Lian (高濂 fl. 1573-1581) around 1580 and …
Continue reading “Legend of the Jade Hairpin”
The story scene comes from a marvel play Legend of the Jade Hairpin, which is not to be confused with the scene in Romance of the Western Chamber. Read the following article to find out details of the story and how this figural scene is depicted.
This is Scene Five of Act Two of the Chinese classic popular drama Romance of the Western Chamber (西厢记 Xixiang ji). At a family dinner party, Zhang Junrui’s (张君瑞, also called Scholar Zhang 张生) dream of marrying Yingying (莺莺) the …
Continue reading “Yingying listening to the qin zither playing”
Chinese people deeply respect the elderly and traditionally consider a long existence to be one of the most important blessings in a person’s life. Here are many examples of how artists have combined a variety of longevity symbols to reinforce the potency of this concept.
This is a scene from a popular traditional play ‘A Set of Interlocking Stratagems (连环计)’. The war lord Dong Zhuo (董卓, ? – 192 CE) became a senior minister in the Han court. His tendency to dominate the young sovereign, …
Continue reading “Diao Chan Praying in front of Burning Incense”
In Chinese culture, the Mid-Autumn Moon Festival is related to the legendary fairy Chang E, the Moon Goddess. We often see a hare, her loyal companion, and an osmanthus tree in the picture with her against a background of the Moon Palace. However, why does Chang E often hold an osmanthus sprig, and what does she have to do with scholars attending civil-service examinations? Let’s invite Dr Yibin Ni to explain to you with his interesting literary research findings.
Correctly identifying figures is crucial to deciphering an obscure story scene. Looking at this featured image, for example, some may think that the two figures in non-specific attires on a dragon and a phoenix are anonymous Daoist immortals. But Dr Yibin Ni would tell you the story otherwise…
Duke Mu of the Qin State (秦穆公, died 621 BCE) was one of the so-called Five Hegemons (五霸 wuba) in the Spring and Autumn Period (770 – 476 BCE) (春秋 chunqiu). He had a daughter named ‘Nongyu (弄玉, meaning Playing …
Continue reading “Xiao Shi’s Playing the Xiao Flute Attracting Phoenixes”
On the seventh day of the seventh month of the lunar Chinese year, young men and women will celebrate their traditional ‘Valentine’s Day’, Qixi Festival (七夕节). The custom can be traced back to an ancient story.
Congratulations on art historian Dr Yibin Ni’s new research into a rare story scene in Chinese pictorial art, which may have puzzled contemporary museum curators and porcelain collectors. Dr Ni has traced the art historical context in which this rare pictorial scene of The Wife of the Bow Maker in the State of Jin was created and provided us with historical evidence to identify and illuminate its unique composition. His work on this previously mysterious story scene has undoubtedly contributed to the treasure trove of Chinese iconography.
The seventh day of the seventh month of the traditional Chinese year is the Chinese ‘Valentine’s Day’, Qixi Festival (七夕节). The custom can be traced back to an ancient story about a weaver girl and a cowherd: Once upon a …
Continue reading “The Weaving Maiden and the Herd Boy”
Pictorial artworks with figural scenes in traditional China often have historical and cultural significance and are not to be mistaken for daily life genre painting. Here is an example and Dr Yibin Ni will explain to you the hidden meaning in the scene of Seasoning the Stew with Sour Prunes.
‘Tiao Mei He Geng 调梅和羹’ is a metaphor that likens the art of governing a country to the adequate seasoning of a stew with salt and sour prunes. The scene is often made up of a group of women or …
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‘True love conquers all’ is the theme of the Peony Pavilion (牡丹亭 Mudan Ting), a musical play of fifty-five scenes written by Tang Xianzu (汤显祖, 1550–1616) in Ming dynasty. Also known as The Romance of Return of Soul (还魂记 Huanhun …
Continue reading “A Startled Romantic Dream in the Back Garden”
The Peony Pavilion is a famous play written by Tang Xianzu in Ming Dynasty. There are very few figural paintings depicting this play on Kangxi famille verte porcelain. Dr Yibin Ni first identified the figures and the scene on a porcelain dish in the V&A Museum at the turn of the millennium, and now is discussing a couple of incorrect details in the description of the scene in their online catalogue.
This scene is an episode from the Ming drama ‘The Story of the Girl Holding a Red Fly Whisk (红拂记 Hongfu ji)’. The story is an account of how a talented scholar Li Jing (李靖) meets Lord Yang Su 杨素’s …
Continue reading “Curly-bearded Fellow Going Overseas”
The Ming-dynasty play The Story of the Blue Robe (青袍记 Qingpao ji, also called《梁氏父子传胪记》) tells the story of how Lv Dongbin (吕洞宾 Lü Dongbin or 吕纯阳), one of the Eight Daoist Immortals (八仙 baxian), survived a catastrophe with the help …
Continue reading “Lv Dongbin Sending Liang Hao a Bride to Repay him a Life Debt”
In traditional Chinese customs, the fifth day of the fifth month of the lunisolar calendar is regarded as one of the most dangerous days of the year when evil spirits and hazardous creatures lurked around. Notably, five noxious creatures were …
Continue reading “Heavenly Master Zhang Quelling the Five Poisons”
Li Yuan (李渊 566–635 CE) excelled at horse-riding, archery, and calligraphy as a young man. He was to be the future founder (reigned 618–626 CE) of the Tang dynasty (618–907 CE). Miss Dou was exceptionally smart and her father Dou …
Continue reading “Li Yuan shooting the eye of the peacocks on the screen”
On Duanwu Festival, Chinese people have a variety of practices, such as drinking rice wine sprayed with realgar powder and hanging images of the Heavenly Master on the lintel. Where did this tradition come from and how were these practices depicted on various artefacts? Here are Dr Yibin Ni’s explanations.
This is a republication of Dr Yibin Ni’s article written in Chinese “明末清初瓷器上张生的‘凝视’和莺莺的挑战”(Gaze from Scholar Zhang and the response from Lady Cui Yingying: a discussion of figural depiction on porcelains from Late Ming to Early Qing dynasty).
The Eight Immortals (八仙 ba xian, in Chinese) are eight colourful Daoist personalities well-known in Chinese popular culture for over seven hundred years. 仙 (xian) in Chinese means ‘those who have achieved longevity, immortality, and enlightenment’ and their artistic characterisation …
Continue reading “Eight Daoist Immortals”
Romance of the Western Chamber (西厢记 Xixiang ji) is the most popular love comedy in late imperial China. In the story, Scholar Zhang (张生 Zhang Junrui) falls in love with a beautiful lady named Cui Yingying (崔莺莺), who happens to …
Continue reading “Consummation of Love from Western Chamber”
Emperor Yang of the Sui dynasty (隋炀帝, r. 606-18) is known for many achievements, such as linking the Yellow and Yangzi Rivers with the man-made Grand Canal, leading successful military campaigns expanding the Sui territory, and being accomplished in the …
Continue reading “Night Revel of the Emperor Yang of the Sui Dynasty”
Wang Zhaojun (王昭君, c.52 – c.15 BCE) was one of the court ladies in the harem of Emperor Yuan of the Western Han dynasty (汉元帝, 206 BCE – 8 CE). It was not possible for the emperor to meet every …
Continue reading “Lady Wang Zhaojun Going out of the Frontier Pass”
In Zhuangzi (庄子), an ancient Chinese text from the late Warring States period (476–221 BCE) and one of the two foundational texts of Daoism, the Queen Mother of the West (Xiwangmu 西王母) was mentioned as a deity who ‘obtained the Dao (the Way)’. …
Continue reading “Birthday Celebration for the Queen Mother of the West”
The Mid-Autumn Moon Festival falls on the night of full moon in the eighth lunar month. Chang’e, the Moon Goddess, is usually associated with this family-union occasion, together with the festival food – the moon cake (月饼). A legend recorded …
Continue reading “Chang’e the Moon Goddess”
This is a story of a righteous woman. As the army of the state of Qi (齐国) launched an invasion against the state of Lu (鲁国), soldiers approaching a Lu suburb saw a woman struggling along the road with two …
Continue reading “The ‘Righteous Aunt’ of Lu”
Qiuhu (秋胡), a native of the state of Lu during the Spring and Autumn period (770-476 BCE), was ordered to take up an official post in the state of Chen a scant five days after his marriage to Jiefu (洁妇), …
Continue reading “Qiuhu trying to seduce his own wife”
This blog is modified from Dr Yibin Ni’s research work first published on Antiques and Fine Art Magazine. The purpose is to appreciate how Chinese porcelain painters from ancient times passed on classical stories and illustrated traditional morals through their craftworks.
‘Sima Xiangru Inscribing on the Bridge Gateway (相如题桥)’ was a popular theme in theatre from at least the Song (960–1279) through to the Qing (1644–1911) dynasty. Sima Xiangru (司马相如) was a Western Han (202 BCE – 8 CE) scholar unsuccessful …
Continue reading “Sima Xiangru inscribing on the bridge gateway”
The osmanthus tree prominent in the Moon Palace came to be a symbol for elite talents in the Jin dynasty 晋朝 (265-420). In around Tang dynasty (618-907), ‘plucking a sprig of osmanthus blossom’ became a metaphor for ‘becoming a top …
Continue reading “Plucking a Sprig of Osmanthus Blossom from the Moon Palace”
This is a story from the Romance of the Western Chamber, a famous Chinese play written by Wang Shifu (王实甫, 1260-1336) in Yuan dynasty (1271-1368): On his way to the capital to take civil-service exams, Scholar Zhang (张生) fell in love …
Continue reading “Yingying receiving good news delivered by the pageboy”
European descriptions of porcelain paintings that have story scenes tend to describe ‘figures and surroundings’, rather than identifying them. Thus, a large part of those beautiful stories intended by pot painters was lost in the description. Here are some examples…
With strategic plans to restore the war-torn country back to order, the talented scholar Li Jing (李靖) was paying a visit to the powerful Lord Yang Su (杨素), who enjoyed luxurious ways of living and female company around him. To …
Continue reading “When Red Fly Whisk Fell Head over Heels for the Scholar”
Have you wondered why the same story scenes were painted differently on Chinese artworks? How was it painted to present women falling in love on Chinese antique porcelains? Read on to see what Dr Yibin Ni has to say with his analysis.
Mr Henk B. Nieuwenhuys from the Netherlands is the first foreigner who has kindly donated his art collection to China. Here are short video clips from a documentary made for this special event, in which Dr Yibin Ni was invited to introduce Nieuwenhuys’ antique collection and the story depicted on the porcelain bottle.
Wei Jie (卫玠, 286-312) was admired as a handsome “jade man’ when he appeared in his signature goat-drawn carriage in town. Wei Jie shone like a piece of gleaming diamond whichever company he was in. On 17th century porcelain, the …
The second half of the third century and the beginning of the fourth century saw a couple of most handsome men in the history of China. For example, Pan An 潘安 (247–300) was exceptionally cute and adorable when he was …
Continue reading “Fruit-throwing antics”
A scholar official in Song dynasty Sima You (司马槱) dreamed of a beautiful girl presenting him the first half of a song, which he later developed into a full version called Huangjinlv (黄金缕). The girl was none other than a famous …
Continue reading “The dream by the Qiantang River”
Do you wonder why there is a goat drawing a carriage, rather than a horse, on traditional Chinese art pictures? Why are there so many people watching someone in a chariot? What is the story behind it? Here is what Dr Yibin Ni has to tell you.
This is an overview by Dr Yibin Ni on how the topic of ‘The Birthday Party of the Queen Mother of the West’ was depicted on Chinese artworks, from woodblock print during Ming dynasty to scroll painting and porcelains in Qing dynasty.
Zhang Chang (张敞, ?- 48 BCE) and his wife grew up in the same village. When they were both children, Zhang Chang once threw a pebble at his future wife and, unfortunately, the scratch left a scar on one of …
Continue reading “Zhang Chang Painting His Wife’s Eyebrows”
In the Buddhist legend, at the beginning there was nothing but water in the world. Vajrapani ordered his disciples to scoop the ocean to see what was hidden there. The sun appeared in the first scoop and Vajrapani fixed the …
Continue reading “Scooping the moon from the golden basin”