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cowherd and Weaving Maid Qixi festival

Pictorial Presentations of the Story of Cowherd and the Weaving Maid on Chinese Antiques

The Chinese Valentine’s Day, Qixi Festival (七夕节), is just around the corner. It falls on the seventh day of the seventh month of the traditional Chinese year. Dr Yibin Ni has conducted comprehensive research on this topic and has written an article in Chinese 《牛郎织女银河隔 七夕相会胜无数》 with reference to numerous ancient artifacts that depict such romantic story scene.

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prunus plum blossom falangcai painting

Why do Chinese literati love to appreciate plum blossoms?

Have you ever wondered why the image of the prunus has been a popular motif in Chinese decorative art? Why do Chinese literati love to write poems about plum blossoms and paint them in their art works? Dr Yibin Ni will explain to you the symbolic meanings of the prunus and how scholar-artists started to relate themselves to the prunus from the Song dynasty onward.

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tiger shaped pillow Cizhou ware

The Pictorial Representation of the Tiger in Traditional Chinese Decorative Arts

2022 is the year of Tiger according to Chinese lunar calendar. Dr Yibin Ni has conducted a research overview of the pictorial representation of the tiger in the background of Chinese culture and history, from the origin of its motif in relics to various artistic forms in traditional decorative arts over the past three thousand years.

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Chang'e and her maids in Moon Palace bestowing osmanthus to top scholar

The legend of Chang’e the Moon Goddess and her bestowing osmanthus blossom to scholars

In Chinese culture, the Mid-Autumn Moon Festival is related to the legendary fairy Chang E, the Moon Goddess. We often see a hare, her loyal companion, and an osmanthus tree in the picture with her against a background of the Moon Palace. However, why does Chang E often hold an osmanthus sprig, and what does she have to do with scholars attending civil-service examinations? Let’s invite Dr Yibin Ni to explain to you with his interesting literary research findings.

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Jiang Ziya’s mount porcelain painting Tutuhaoyi

Has Jiang Ziya’s mount Got Anything to do with the Père David’s deer?

The following article is a discussion of the substitution of a mythical beast for a horse as Grand Duke Jiang’s mount on three classic porcelain vases adorned with the same story scene of ‘Bo Yi and Shu Qi Trying to Stop the Mighty Zhou Army’. It focuses on the origin and evolution of the two disparate but homophonic expressions ‘Sibuxiang’ in late imperial China and clarifies the terminological confusion in the contemporary world.

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peach symbol for longevity immortality Tutuhaoyi

Why does peach symbolise longevity and immortality in traditional Chinese culture?

In Chinese culture and pictorial art, the peach fruit is often used to wish for long life on birthday parties. How does this fruit become associated with the idea of longevity? Here is Dr Yibin Ni explaining to us the origin of legendary stories related to the peach through his research work over literatures and treasurable artworks.

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Laozi on ox meeting Confucius Tutuhaoyi

Appreciation of Chinese visual art: depiction of Laozi, the personification of Dao (Tao) on a buffalo’s back

Have you ever wondered why images of an old scholarly man riding a buffalo are often depicted on Chinese antiques? What is so special about this man who looks highly respected and followed by yet still sitting on a buffalo’s back? We hereby invite art historian Dr Yibin Ni to solve the mystery…

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