This scene is from one of the most famous Chinese dramatic works, Romance of the Western Chamber 西厢记, which was written by the Yuan playwright Wang Shifu (王实甫 1260–1336). The play tells the story of a secret love affair between …
Continue reading “Scholar Zhang and Cui Yingying’s encounter in the Salvation Monastery”
The Chinese Valentine’s Day, Qixi Festival (七夕节), is just around the corner. It falls on the seventh day of the seventh month of the traditional Chinese year. Dr Yibin Ni has conducted comprehensive research on this topic and has written an article in Chinese 《牛郎织女银河隔 七夕相会胜无数》 with reference to numerous ancient artifacts that depict such romantic story scene.
Dong Zhuo (董卓 d. 192), a tyrannic warlord rising to power at the end of the Han dynasty, caused great concern among courtiers and officials. Wang Yun (王允), the Minister Over the Masses (司徒 Situ), was entrusted to figure out …
Continue reading “The Couple’s Tryst in the Phoenix Pavilion Making Dong Zhuo Fly into a Fury”
Legend of the Jade Hairpin (Yu Zan Ji 玉簪记) is a Ming-dynasty ‘marvel play’ which was the major drama genre of the time. The play, consisting of thirty-three scenes, was written by Gao Lian (高濂 fl. 1573-1581) around 1580 and …
Continue reading “Legend of the Jade Hairpin”
The story scene comes from a marvel play Legend of the Jade Hairpin, which is not to be confused with the scene in Romance of the Western Chamber. Read the following article to find out details of the story and how this figural scene is depicted.
Wang Xizhi (王羲之, 303–361) is often said to be the greatest calligrapher in Chinese history. He has his biography in the official history of Jin 晋 dynasty (c. 265–420). One anecdote in it concerns his fame for his calligraphic skill …
Continue reading “Wang Xizhi’s Love of Geese”
This is Scene Five of Act Two of the Chinese classic popular drama Romance of the Western Chamber (西厢记 Xixiang ji). At a family dinner party, Zhang Junrui’s (张君瑞, also called Scholar Zhang 张生) dream of marrying Yingying (莺莺) the …
Continue reading “Yingying listening to the qin zither playing”
The flower of the annual herbaceous species Papaver rhoeas has many different names in the West, such as common poppy, corn poppy, corn rose, field poppy, Flanders poppy, and red poppy. One of its names in China is yumeiren (虞美人), …
Continue reading “Papaver Rhoeas”
Correctly identifying figures is crucial to deciphering an obscure story scene. Looking at this featured image, for example, some may think that the two figures in non-specific attires on a dragon and a phoenix are anonymous Daoist immortals. But Dr Yibin Ni would tell you the story otherwise…
Duke Mu of the Qin State (秦穆公, died 621 BCE) was one of the so-called Five Hegemons (五霸 wuba) in the Spring and Autumn Period (770 – 476 BCE) (春秋 chunqiu). He had a daughter named ‘Nongyu (弄玉, meaning Playing …
Continue reading “Xiao Shi’s Playing the Xiao Flute Attracting Phoenixes”
On the seventh day of the seventh month of the lunar Chinese year, young men and women will celebrate their traditional ‘Valentine’s Day’, Qixi Festival (七夕节). The custom can be traced back to an ancient story.
The seventh day of the seventh month of the traditional Chinese year is the Chinese ‘Valentine’s Day’, Qixi Festival (七夕节). The custom can be traced back to an ancient story about a weaver girl and a cowherd: Once upon a …
Continue reading “The Weaving Maiden and the Herd Boy”
‘True love conquers all’ is the theme of the Peony Pavilion (牡丹亭 Mudan Ting), a musical play of fifty-five scenes written by Tang Xianzu (汤显祖, 1550–1616) in Ming dynasty. Also known as The Romance of Return of Soul (还魂记 Huanhun …
Continue reading “A Startled Romantic Dream in the Back Garden”
The Peony Pavilion is a famous play written by Tang Xianzu in Ming Dynasty. There are very few figural paintings depicting this play on Kangxi famille verte porcelain. Dr Yibin Ni first identified the figures and the scene on a porcelain dish in the V&A Museum at the turn of the millennium, and now is discussing a couple of incorrect details in the description of the scene in their online catalogue.
This is a republication of Dr Yibin Ni’s article written in Chinese “明末清初瓷器上张生的‘凝视’和莺莺的挑战”(Gaze from Scholar Zhang and the response from Lady Cui Yingying: a discussion of figural depiction on porcelains from Late Ming to Early Qing dynasty).
Romance of the Western Chamber (西厢记 Xixiang ji) is the most popular love comedy in late imperial China. In the story, Scholar Zhang (张生 Zhang Junrui) falls in love with a beautiful lady named Cui Yingying (崔莺莺), who happens to …
Continue reading “Consummation of Love from Western Chamber”
European descriptions of porcelain paintings that have story scenes tend to describe ‘figures and surroundings’, rather than identifying them. Thus, a large part of those beautiful stories intended by pot painters was lost in the description. Here are some examples…
With strategic plans to restore the war-torn country back to order, the talented scholar Li Jing (李靖) was paying a visit to the powerful Lord Yang Su (杨素), who enjoyed luxurious ways of living and female company around him. To …
Continue reading “When Red Fly Whisk Fell Head over Heels for the Scholar”
Have you wondered why the same story scenes were painted differently on Chinese artworks? How was it painted to present women falling in love on Chinese antique porcelains? Read on to see what Dr Yibin Ni has to say with his analysis.
Wei Jie (卫玠, 286-312) was admired as a handsome “jade man’ when he appeared in his signature goat-drawn carriage in town. Wei Jie shone like a piece of gleaming diamond whichever company he was in. On 17th century porcelain, the …
The second half of the third century and the beginning of the fourth century saw a couple of most handsome men in the history of China. For example, Pan An 潘安 (247–300) was exceptionally cute and adorable when he was …
Continue reading “Fruit-throwing antics”
A scholar official in Song dynasty Sima You (司马槱) dreamed of a beautiful girl presenting him the first half of a song, which he later developed into a full version called Huangjinlv (黄金缕). The girl was none other than a famous …
Continue reading “The dream by the Qiantang River”
Do you wonder why there is a goat drawing a carriage, rather than a horse, on traditional Chinese art pictures? Why are there so many people watching someone in a chariot? What is the story behind it? Here is what Dr Yibin Ni has to tell you.
The primary symbolic meaning of the hollyhock (shu kui 蜀葵) is the good wish for longevity. The secondary implication is based on the perennially sun-facing nature of the hollyhock. In the old days, people compared their emperor or statesman to …
Continue reading “Hollyhocks and butterflies”
Zhang Chang (张敞, ?- 48 BCE) and his wife grew up in the same village. When they were both children, Zhang Chang once threw a pebble at his future wife and, unfortunately, the scratch left a scar on one of …
Continue reading “Zhang Chang Painting His Wife’s Eyebrows”